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Listening to the language of the existing historic home, this addition of a new Garage Quarters, Outdoor Living, Pool, and Gardens blends seamlessly with the property’s original character while enhancing its functionality. Natural light, refined detailing, and careful material choices create a timeless connection between old and new, honoring the neighborhood’s architectural heritage while meeting the needs of contemporary living.

Location

Houston, Texas

Design Team

Kevin Barden, Joe Rivers, and Esmer Leija

Typology

Residential

Date

2021 - 2023

Landscape Architect

Falon Land Studio

General Contractor

Heavenly Homes

Photography

Leonid Furmansky

Process

Explore

Albert Cabin

Stepping through the stone wall portal marks a threshold from city life to the quiet rhythms of the Texas Hill Country. The cabin’s warm wood interiors and expansive glazing open to the surrounding oaks and sky. In the mornings, the southeast-facing bath welcomes the first light; in the evenings, the southwest-facing bedroom frames sunsets and starlit skies.

Peter Molick

Art and Design

In this episode our resident architects Joe Rivers and Kevin Barden visit with Peter Molick, an architectural photographer from Houston, Texas. Peter Molick's work as an architectural photographer has him capturing on film life's many varied spaces. His portfolio runs the gambit from new construction homes, office buildings, and museums, to a clothing store, a music hall, and even a stadium. But we really wanted to visit with Pete to discuss a work of his that he did outside of professional output. The piece, called Crossings, has been showing since May at the 15th Venice Architecture Biennale, the most influential exhibition in architecture. Joe and Kevin talk with Pete about his craft as an architectural photographer, what drove him to create Crossings, and the future of his career and creative outlets.

Ethos

Writing

In an essay entitled The Hedgehog and the Fox, Isaiah Berlin quotes the Greek poet Archilochus, “The fox knows many things, but the hedgehog knows one big thing” (Berlin 7). The essay was written as a commentary on Leo Tolstoy’s view of history, however, the text can offer an understanding for how one might practice architecture as well. For us, this understanding reveals itself in perceiving the environment as a fox and believing in it as a hedgehog.