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Ethos

In an essay entitled The Hedgehog and the Fox, Isaiah Berlin quotes the Greek poet Archilochus, “The fox knows many things, but the hedgehog knows one big thing” (Berlin 7). The essay was written as a commentary on Leo Tolstoy’s view of history, however, the text can offer an understanding for how one might practice architecture as well. For us, this understanding reveals itself in perceiving the environment as a fox and believing in it as a hedgehog.

Perceiving the environment as a fox requires “plenty of full light” (Albers) and a methodical rigor aimed at exploring forces and processes including climate, culture, economy, atmosphere, and material.

Believing in the environment as a hedgehog requires a confidence and trust that the projects we build and discussions we nurture “feel the pull of life” (Martin 159) and contribute positively to our clients and the world around us.

Albers, Josef.  Poems and Drawings.  Ed. Nicholas Fox Weber.  New Haven: Yale University Press, 2006.  Print.

Berlin, Isaiah.  The Hedgehog and the Fox; an Essay on Tolstoy’s View of History.  New York: Mentor Books, 1957.  Print.

Martin, Agnes and Briony Fer.  Agnes Martin.  Ed. Frances Morris and Tiffany Bell.  London: D. A. P./Tate, 2015. Print.

Explore

Port Bolivar Beach House

Situated above the shoreline in a Gulf Coast community, this elevated beach house offers a restful retreat shaped by light, breeze, and expansive views. Drawing from the local tradition of stilt-frame wood construction, the design lifts the main living level to capture sun, breeze, and shade throughout the day while providing shelter below.

Minh Nguyen

Food and Beverage

In this episode our resident architects Joe Rivers and Kevin Barden visit with Minh Nguyen, the friendly figure behind Cafe TH in Houston, Texas.

Talking About Wood (Reden Über Holz)

Writing

In 1985, Swiss architects Michael Alder, Jacques Herzog, Pierre de Meuron, and Peter Zumthor sat down with Archithese to discuss building with wood; the continued traditions of its use as well as the possibility of developing new traditions. All four architects articulate a specific interest of the material and offer a critical eye to the others’ work. While Alder is concerned with the aesthetics of wood, Zumthor is attentive to the material from a cabinetmaker’s…