Skip to content


In an essay entitled The Hedgehog and the Fox, Isaiah Berlin quotes the Greek poet Archilochus, “The fox knows many things, but the hedgehog knows one big thing” (Berlin 7). The essay was written as a commentary on Leo Tolstoy’s view of history, however, the text can offer an understanding for how one might practice architecture as well. For us, this understanding reveals itself in perceiving the environment as a fox and believing in it as a hedgehog.

Perceiving the environment as a fox requires “plenty of full light” (Albers) and a methodical rigor aimed at exploring forces and processes including climate, culture, economy, atmosphere, and material.

Believing in the environment as a hedgehog requires a confidence and trust that the projects we build and discussions we nurture “feel the pull of life” (Martin 159) and contribute positively to our clients and the world around us.

Albers, Josef.  Poems and Drawings.  Ed. Nicholas Fox Weber.  New Haven: Yale University Press, 2006.  Print.

Berlin, Isaiah.  The Hedgehog and the Fox; an Essay on Tolstoy’s View of History.  New York: Mentor Books, 1957.  Print.

Martin, Agnes and Briony Fer.  Agnes Martin.  Ed. Frances Morris and Tiffany Bell.  London: D. A. P./Tate, 2015. Print.


West Texas Retreat

Residing outside the town of Alpine, this renovation opens up the existing home to mountainous views, vast skies, and the unique sun of West Texas, creating a secluded escape from the city for the clients to relax, reflect, and recharge.

Sunni Soper

Music and Performance

In this episode our resident architects Joe Rivers and Kevin Barden visit with Sunni Soper, a spoken word artist from Austin, Texas. Since moving back to Austin, Texas less than a decade ago, Sunni Soper has become a strong voice and contributor to Austin's spoken word scene. Joe and Kevin visited with Sunni to discuss her beginning in poetry, the importance of editing and reflection, and her advice for budding artists.

Evolution of Japanese Craftsmanship


In the summer of 2023, Esmer had the opportunity to study abroad in Japan. During her time abroad, she found herself captivated by the evolution of Japenese craftsmanship in architecture. Within this essay, she explores the significance of Japanese craftsmanship and its role as a poignant reminder that the essence of true artistry endues despite the ever-changing tides of time.