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Perched on a rocky rise in the Texas Hill Country, the Walnut Springs Guest House offers a nature-immersed retreat for a city family. Two hand-crafted stone volumes anchor the home, framing shaded porches and a generous central gathering space while sheltering private rooms. The butterfly and hipped roofs channel breezes, capture shifting sunlight, and direct views to the surrounding oaks and hills. Blending rugged materials with refined detailing, the design creates a warm, inviting getaway that celebrates the rhythms of the land.

Location

Johnson City, Texas

Design Team

Joe Rivers and Kevin Barden

Typology

Residential

Date

2019-2021

Structural Engineer

Hill Country Structural

General Contractor

Phillips & Phillips Design Build

Process

Explore

West Texas Retreat

Set against the rugged backdrop of West Texas, this renovation transforms a simple home into a serene retreat immersed in mountain and sky. Expansive glazing captures shifting light and distant peaks, while covered outdoor spaces invite connection to the land’s quiet rhythms.

Reid Kennedy

Music and Performance

In this episode our resident architects Joe Rivers and Kevin Barden visit with Reid Kennedy, a drummer and composer from St. Paul, Minnesota. Reid Kennedy is a percussionist and pass drummer from St. Paul, Minnesota and a standout example of the modern working musician. In addition to being a top-call drummer in the Twin Cities, Reid teaches percussion and music theory at McNally Smith College of Music in downtown St. Paul. He composes, performs, records, and produces his own music in groups such as the Reid Kennedy Jazz Trio and Big Villain, and is the co-founder of the neo soul modern jazz darlings of Minneapolis, Nooky Jones. Joe and Kevin talk with Reid about his path to becoming a full-time musician, having passion for creating, and the ins and outs of collaboration.

Ethos

Writing

In an essay entitled The Hedgehog and the Fox, Isaiah Berlin quotes the Greek poet Archilochus, “The fox knows many things, but the hedgehog knows one big thing” (Berlin 7). The essay was written as a commentary on Leo Tolstoy’s view of history, however, the text can offer an understanding for how one might practice architecture as well. For us, this understanding reveals itself in perceiving the environment as a fox and believing in it as a hedgehog.